Need help with my writing homework on Representation of Different Figures in Art and Science. Write a 3500 word paper answering; Gallen-Kallela studied art at the Finnish Art Society (1881-1904), studied privately as well as at the Academie Julian in Paris (1884) where he became a friend of the Finnish painter Albert Edelfelt while experiencing the Norwegian influence of Adam Dornberger and Swedish writer August Strindberg.
His political affinity with Finland was echoed in his illustrations of the Kalevala, the Finnish national epic. His paintings made it possible for him to develop his own political and national style and he painted with the purpose to acquire the respect and understanding of the Finnish nation. In1890, on his honeymoon to East Karelia, he started to collect material for his Kalevala painting period. The Aino Triptych, a landscape, is a product of his Kalevala age.
Gallen-Kallela’s works are at present (2012) exposed at the Musee d’Orsay in Paris. Other prestigious Finnish institutions also manifest his brilliant career pieces. Private collections constitute his manifestos of art which are too often reduced to the expression of national liberty. Gallen’s works are associated with the painting styles influenced by Romantic Nationalism, Realism, and Symbolism.
Romantic Nationalism in Europe was strongly inspired by Jean Jacques Rousseau (1712-1778), a philosopher representing the Romanticism of French expression. Rousseau worked to find a way to inspire people to preserve freedom in the world. His teachings taught us to appreciate the wonders of nature and the expression of feelings through communication. His studies on the origins of equality and self-preservation inspired the evolution of humanity, the condemnation of oppression, and the promotion of natural, moral, and civil freedom and authority.
Johan Gottlieb Herder (1784) maintained that Geography formed the natural economy of people and that their customs and society would develop along the lines that the basic environment favored. From its beginnings in the late 18th Century, Romantic Nationalism relied upon the existence of a historical ethnic culture that meets the romantic ideal and folklore as a national romantic concept.